bibliography
THEORY :: writing about FACELESS
Performing Archives/ Archives of Performance. Rune Gade / Gunhild Borggreen (ed.) published by Museum Tusculanum Press, Copenhagen. Forthcoming.
O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. The MIT Press. Forthcoming.
Book Was There: Reading in Electronic Times. Andrew Piper, University of Chicago Press 2012
Cazdyn, Eric. The Already Dead: The New Time of Politics, Culture, and Illness. Duke University Press 2012
Eyes Everywhere. The Global Growth of Camera Surveillance. Edited by Aaron Doyle, Randy Lippert, David Lyon. Routledge 2011
Zeilinger, Martin. 
Appropriation and the authoring function of surveillance in Manu Luksch's Faceless. S 262-273
Moulon, Dominique. Art Contemporain et Nouveaux Médias. In the Sentier d’Art series, Nouvelles Editions Scala. 2011
A Trialogue on Interventions in Surveillance Space: Seda Gürses in conversation with Michelle Teran and Manu Luksch. in: Surveillance & Society, Vol. 7, No 2 (2010) download txt as pdf
Arns, Inke. Transparency and Politics. On Spaces of the Political beyond the Visible, or: How transparency came to be the lead paradigm of the 21st century.
in: The Aesthetic Interface, ed. by Soren Pold et al. Aarhus University Press, 2010
Arns, Inke. Transparent World. Minoritarian Tactics in the Age of Transparency.
in: un_imaginable, ed. by Dennis Del Favero, Ursula Frohne und Peter Weibel, ZIP digital arts edition, ZKM Center for Art and Media, Karlsruhe; iCinema Center/University of New South Wales, Sydney; University of Pittsburgh; Hatje Cantz 2008 (inkl. DVD), pp. 20-35
Avanessian, Armen. Gesichter und Geschichten des Raumes – Von technologischen und fiktionalen Räumen .
in: Armen Avanessian, Franck Hofmann. Raum in den Künsten. Konstruktion, Bewegung, Politik. Transversale. Wilhelm Fink Verlag. ISBN: 978-3-7705-4658-9 Berlin 2010
Luksch, Manu Moonwalk in EchtZeit.
in: Armen Avanessian, Franck Hofmann. Raum in den Künsten. Konstruktion, Bewegung, Politik. Verlag Tranversale. Berlin 2010
Chasing the data shadow. / Die Jagd nach Datenschatten.
Filmmakers' close-up encounter of the Data Protection Act.
Manu Luksch & Mukul Patel
in: Stocker & Schöpf (2007) Ars Electronica: Goodbye Privacy, Hatje Cantz Verlag (english/german)
in: Ambient Information Systems Luksch/Patel. London 2009. (english/german revised version)
in: Kulturrisse (02/2008), (german short version)
in: Variant (issue 31, Spring 2008) (english)
The filmmaker as symbiont: opportunistic infections of the surveillance apparatus. (2006)
in: VERTIGO issue Vol4 No1 (2008)
From social fact to science fiction. The incident in the incidental. Manu Luksch (2008)
in: n.paradoxa (Volume 22, 2008)
A Brief History of Real Time. Mukul Patel (2009)
in: ed Sützl (2009): DATA browser, issue: Creating Insecurity. Plymouth Univesity / Autonomedia
Pold, Søren. Overvågningens kunst. Overvågningsdystopier og interfacebegær i det urbane rum i Nineteen Eighty-Four, Faceless og andre urbane interfaces. (2009)
in: K&K, Aarhus Universitetsforlag.
Pold, Søren. Faceless - Manu Luksch. (2009)
in: ARoS Aarhus Kunstmuseum: ENTER ACTION - Digital Art Now, Exhibition Catalogue.
Fürst, Philipp. Who is watching us? – Datenschutz als Kunst. (2008) Diplomarbeit Theaterwissenschaft, Universität Wien, Betreuer Ao. Univ.- Prof. Dr. Rainer Maria Köppl download pdf
Carvalho, Margarida. Affective Territories.
in: INFLeXions Journal No. 3 (2009)
Zeilinger, Martin. Art and Politics of Appropriation. PhD thesis Centre for Comparative Literature, University of Toronto. 2009